Philadelphia Art Alliance Blog

Asimina Chremos: Not Your Grandmother’s Doilies

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Boise Doily. 100% cotton (commercially dyed), blocked and starched. 2014. Courtesy of artist’s website.

HomeWork, guest curated by Alex Stadler, explores the themes of femininity, domesticity, and textile-based craft through the idiosyncratic work of two contemporary Philadelphia-based artists, Erin Endicott and Asimina Chremos. Chremos is an unconventional combination of dancer and crochet artist. She uses both these art forms to experiment with improvisation and free-flowing movement, be it of bodies or of thread. Chremos uses a traditional craft in non-traditional ways, eschewing patterns and predictability to create doilies unlike any you have ever seen.

Chremos learned to crochet from her two grandmothers, one Greek and the other American. Her use of this traditional technique evokes the generations of women whose textile crafts have long been excluded from the rarefied world of Art. Originally a private dwelling and now a public institution dedicated to the display of contemporary craft and design, the Art Alliance is both a domestic interior and an exhibition space, making it a particularly evocative venue for Chremos’ work.

Chremos plays with asymmetry and color, the forms of her work arising from the process of making rather than from a predetermined pattern. Her crocheted doilies call to mind the slowly shifting forms of clouds or the changing colors of the evening sky. These organic forms are the result of the improvisational nature of Chremos’ creative process. They are material traces of the movement of Chremos’ hands, as well as impermanent traces of the movements of the artist’s mind.

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Images, from top: Prismatic, crochet doily photographed by AC; Asimina Chremos in solo performace at the Museum of Contemparary Art, Chicago, photographed by Ruth Lopez.

This sense of transience and flowing movement that we find in Chremos’ crochet work is also evident in her work as a dancer, which is likewise grounded in a spirit of improvisation. Chremos has collaborated with musicians who improvise as she dances, creating a synthesis of music and movement that is transient, impermanent and ever-shifting. A spirit of play–what she has referred to as the mischievous “imp” in impermanence–infuses her work, seeking to inspire those most fleeting of feelings, joy and delight. Color, movement, and craft all come together in the work of Asimina Chremos, her doilies creating a joyful dance of thread that is sure to delight viewers.

HomeWork will be on view at the Art Alliance from December 10, 2015, until January 3, 2016. Gallery hours are 12PM – 7PM Tuesday through Sunday, closed to the public on Mondays.

Text by Flora Ward, Intern.

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